Young American baritone Kenneth Mattice is earning international praise for his poignant singing, handsome appearance and his natural stage presence.  Besides performing throughout the United States, this Wisconsin native recently made several important international debuts.  One of those international debuts began in the  fall of 2014, when Mr. Mattice joined Germany's Theater Hagen as their principal baritone.  In 2015/16, his 2nd season, he performs the title roles in Eugene Onegin and Jonny Spielt Auf, as well as Papageno in Die Zauberflöte, Faninal in Der Rosenkavalier, Sharpless in Madama Butterfly and Don Fernando in Fidelio.

In addition to singing Sharpless and Don Fernando in Theater Hagen's 2014/15 season, Mr. Mattice also sang Valentin in Faust and Miles Gloriosus in A Funny Thing Happened on the Way to the Forum(Die Spinnen, die Römer).  In 2013/14 he made his German operatic debut with Oper Dortmund as Larry King in the Continental Premier production of Anna Nicole (with his wife, Emily Newton, in the title role).  He also created the role of the Bank Examiner in the *World Premiere* of Carson Kievman’s opera Fairy Tales: Songs of the Dandelion Woman in Miami and had role debuts as both Eisenstein and Falke in Die Fledermaus.  The previous season’s engagements included creating the title role in the *World Premiere* of Carson Kievman’s Hamlet in Miami, a house debut with Opera Delaware as Silvio in Pagliacci, a concert with the Falmouth Chorale & Orchestra and singing Figaro in Il Barbiere di Siviglia with Florida Opera Theater, Vero Beach Opera and First Coast Opera.
      Il barbiere di Siviglia           Roméo et Juliette     Die Zauberflöte La Bohème       Così fan Tutte
    as Mercutio

"...not only a confident singer with rounded, bell-like projection, but also an exciting actor who kept raising the energy level on stage."




  Richard Scheinin
    San Jose
    Mercury News
as Figaro

"Kenneth Mattice was a charismatic and robust-toned Figaro.  ...Mattice roamed the stage nimbly and rattled through his famous introductory patter song, 'Largo al factotum' with aplomb."

  Joshua Kosman
     San Fransisco
     Chronicle